有許多的問題圍繞著巴哈的”六首小提琴獨奏曲”, 按照現在的說法應該是說”無伴奏小提琴奏鳴曲與組曲”. 巴哈是何時編寫這些音樂? 為何和為誰而寫? 在甚麼請況下被演奏的? 而為何一位擅長複音的大師會選擇為一種複音與和弦範圍有限的旋律樂器來編寫音樂? 吾人只能猜測答案應該是為了讓這些作品更加吸引人興趣. 傳奇的小提琴師安奈斯可(George Enescu)的名言描述該組曲是”小提琴家的喜馬拉雅山”, 但在兩百多年間, 這些組曲大多是被當成教學練習, 而不是被當成值得在音樂廳中表演的作品. 孟德爾頌和舒曼曾經嘗試以加入鋼琴伴奏的版本來推廣這些組曲, 布梭尼還改編過著名的第二號組曲(夏康舞曲)中完全不用小提琴演奏. 但一直到1929到1936年間, 有曼紐因(Yehudi Menuhin)首次錄製完整的奏鳴曲與組曲後, 這些音樂才變成主要的小提琴演奏會和錄音專輯的曲目.
這些作品讓演奏家與聽眾們一起著迷於其結構的完美和情感表達的範圍, 這些作品也適用於多種非常不同的詮釋, 在此專輯中我們聽到的是芬蘭小提琴家雅可．庫西斯托(Jaakko Kuusisto)演奏巴哈的版本. 他自己是位作曲家, 也是小提琴家兼指揮家. 他記得從十歲時就開始研究該組曲的各個樂章. 從那時起, 這些音樂就一直伴隨著他, 對他而言”沒有其他小提琴作品能提供一種更高的挑戰與更完美的境界”
There are many questions surrounding Johann Sebastian Bach`s `Six Solos for violin`, or the Sonatas and Partitas for solo violin, as they are usually called today. When did he compose them, and why, and for whom? In what circumstances were they performed? And why would a master of polyphony choose to write for a melody instrument with limited scope for polyphony or chords? We can only guess at the answers –which makes the works all the more fascinating. The legendary violinist George Enescufamously described the set as `the Himalayas of violinists`, but for more than 200 years they were primarily regarded as pedagogical exercises rather than compositions worthy of the concert hall. Felix Mendelssohn and Robert Schumann tried to popularize them by making versions with piano accompaniment, while Busoni did away with the violin altogether in his transcription of the famous Chaconnefrom Partita No. 2. But since Yehudi Menuhin made the first complete recording of the Sonatas and Partitas, between 1929 and 1936, they have become a staple during violin recitals, on disc and in concert.
Fascinating performers and audiences alike with their architectural perfection as well as their emotional range, these are works that lend themselves to very different interpretations, and on this recording it is the Bach of Finnish violinist Jaakko Kuusistowe hear. Himself a composer –as well as violinist and conductor –Kuusistoremembers beginning to study individual movements from the set at the age of ten. The music has been with him ever since, and to him `no other works for the violin provide a higher challenge or greater beauty`.
Johann Sebastian Bach (1685–1750)
Sonatas and Partitas for Solo Violin
Disc 1
1–4 ) Sonata No. 1 in G minor, BWV 1001 15`28
5–12 ) Partita No. 1 in B minor, BWV 1002 30`12
13–16 ) Sonata No. 2 in A minor, BWV 1003 22`59
Disc 2
1–5 ) Partita No. 2 in D minor, BWV 1004 29`35
6–9 ) Sonata No. 3 in C major, BWV 1005 22`38
10–15 ) Partita No. 3 in E major, BWV 1006 18`21
TT: 141`29
此商品目前無曲目資料 !
門市/超商取貨需知：
- 如需發行當日取貨參加簽名活動者(進口版商品除外)，請於門市購物。
- 在您下單完成後,如因個人因素需取消訂單,煩請於下單完成後24小時(上班日)來電通知,以便訂單處理作業。超商取貨付款,如需取消訂單請於當天或是次日上班日上午12時前來電通知。
- 超商取貨:訂購之商品將集中超商物流中心轉運站,送達您指定的便利商店,轉站送達需3-5天工作日時間,請您耐心靜待訂購須知:
- 預購商品以發行日寄出，請單筆下單，以利方便出貨流程，如與其它CD併購，將與該張訂單CD最後發行日同時寄出，不另分次送出。
- 預購商品付款方式如郵政劃撥與ATM：下單後請3日內完成匯款與傳真，逾期將自動取消訂單。訂單如ATM或劃撥如逾時,系統將自動取消,在您收到自動取消時請勿匯入,有需求請重新下單。
- 如有贈送海報,未購海報筒將以折疊方式,與CD併裝入, 超商取貨付款與已付款純取貨,未加購海報筒,海報將折疊方式,隨貨寄出加購海報者將在取貨完成後,另郵局掛號寄出，系統可加購海報筒。商品贈送之海報為非賣品,為一比一贈送,派送過程如遇凹損,恕無法更換與退。(加購海報筒為保障運送過程中.降低損壞海報毀損，商品贈送之海報為非賣品,為一比一贈送,派送過程如遇凹損,恕無法更換與退)。
- 商品內如有封入小卡或海報等內容物，皆由發行公司原封裝入，本銷售網站不便拆閱，如遇內容物發生短缺情形，或是印刷上的個人觀感問題，恕無法補償與更換。
- 商品經拆封後將視為認同該商品，如為拆封後所產生的商品外觀損傷，本銷售網站一概不負責，恕無法提供退換貨。
- 如商品為進口版商品，配送過程中將無法避免撞擊，且由於音像製品本屬易損傷之物品，如為CD片碎裂、刮傷等影響正常播放以外之情形，例：商品外包裝（封面或外殼）撕裂、折損、刮傷、壓痕等，因不影響使用及播放，一律無法退換貨，敬請見諒!(商品出貨時會有防震包裝，避免以上情況發生)
- 如遇商品因出貨廠商無法製作導致斷貨情形，客服會在第一時間電聯/（或MAIL通知），並取消訂單。商品斷貨是我們都不樂見的，一但發生，我們通知方式會有email/或者致電告知，請務必留意任何來信。賣場有隨時更改購買需知條款的權利。
- 專輯說明得購物須知:(請至首頁購物需知參閱)