| 1. | SIDE A | Imperii proceres (Heinrich Isaac (c. 1450-1517)) |
| 2. | | Carmen in fa (Isaac) |
| 3. | | Fortuna in mi (Isaac) |
| 4. | | An buos (Isaac) |
| 5. | | La morra (Isaac) |
| 6. | | Innsbruck, ich muss dich lassen (Isaac)(Side A) |
| 7. | | A la bataglia (Isaac) (Side A) |
| 8. | | J`ay pris amours (Isaac) |
| 9. | | Sancti spiritus assit nobis gratia (Isaac) |
| 10. | SIDE B | Tandernac (Antoine Brumel (c. 1460-c. 1525)) |
| 11. | | B2. Noe, noe (Antoine Brumel) |
| 12. | | En l ombre du busonet (Anonymous) |
| 13. | | Coment peult (Josquin Desprez (c.1440-1521)) |
| 14. | | Fors seulement (Pierre de La Rue (after 1460?-1518)) |
| 15. | | Carmen in la (Ludwig Senfl (c.1490-c.1555)) |
| 16. | | Carmen in re (Ludwig Senfl) |
| 17. | | Nasci, pati, mori (Ludwig Senfl) |
| 18. | | Quis dabit oculis nostris (Costanzo Festa (c.1490-1545)) |
| 19. | | Tandernaken (Paul Hofhaimer (1459-1537)) |
| 20. | | Naves pont (Anonymous) |
| 21. | | Vavilment (Jacob Obrecht (1450-1505)) |
| 22. | | Carmen Hercules (Anonymous) |
| 23. | | Si je perdu (Anonymous) |